Showing posts with label Mystery/Thriller. Show all posts
Showing posts with label Mystery/Thriller. Show all posts

Thursday, July 15, 2010

The City and the City by China Miéville

Teaser


“He went further – said that Orciny wasn’t just somewhere that had existed in the gaps between Qoma and Besźel since their foundings or coming together or splitting. …he said it was still here.”

“Orciny?”

“Exactly. A secret colony. A city between the cities, its inhabitants living in plain sight.”

“What? Doing what? How?”

“Unseen, like Ul Qomans to Besź and vice versa. Walking the streets unseen but overlooking the two. Beyond the Breach. And doing, who knows? Secret agendas?”

-The City and the City

China Miéville




Summary

China Miéville’s The City and the City is difficult to place in a category. The plot is driven primarily by a murder mystery, and the whole story reads a lot like a classic mystery novel. However, Miéville also incorporates politics, familiar societal and social dynamics, and a number of fantastical elements. To say it is a mystery novel, fantasy novel, or social commentary wouldn’t do it justice. It is all three. And to consider attempting to summarize it is, at the very least, rather daunting, but I will certainly try my best.


The story opens in the fictional city of Besźel, a seemingly typical Eastern European city. A girl is discovered dead on one of the city streets and detective Tyador Borlú of the Besźel Extreme Crime Squad is called in – our point of view character. He begins the investigation, but soon discovers that beyond the murder mystery is another twist. The girl they’ve found dead isn’t a Besźel citizen. She is from “neighboring city” Ul Qoma.


Besźel and Ul Qoma are unlike normal neighboring cities. Rather than existing next to one another, we are told that the two cities occupy the same space at the same time. From birth, citizens of each city are taught to “unsee” the citizens, vehicles, and buildings in the other city. In certain “crosshatched” sections of town – shared sections where there are particularly high levels of activity in both cities – they navigate around each other out of habit with learned ease. Citizens of Besźel are forbidden to interact with or even look at citizens of Ul Qoma and vice versa. If caught doing so, the citizen in question will invoke “Breach” – an entity of sorts that travels between the two cities and maintains order by ensuring the two never interact.


As detective Borlú continues to investigate the murdered girl, he discovers that there is much more to her story than anyone could have imagined. She was a scholar at an Ul Qoma university and was studying the possible existence of a third city – Orciny. Supposedly, Orciny is a myth, but the girl had begun to believe in its existence. She had been under the impression that it existed between the two cities – in the sections that Besźel citizens assumed were part of Ul Qoma and vice versa.


As Orciny is said to be an extremely powerful city, the investigation of it raises an entirely new set of questions for Borlú. Did Orciny really exist? Had it been citizens of that third city who killed the girl? Was Orciny at war with the mysterious Breach?


Detective Borlú’s investigation takes him out of his home in Besźel, into Ul Qoma, and even into the mysterious Breach in order to uncover the murderers and the truth behind the city in between the cities.


Rating


I’m going to give this book a rating of 4 out of 5 stars.


The idea for this novel is excellent, fascinating even. The two cities existing together never felt unbelievable to me. I loved reading about citizens “unseeing” one another – especially when, say, a citizen doesn’t recognize that the person they’re seeing is from the other city and they have to quickly “unsee” them once they realize it. Fantastic premise and well-executed as far as setting and plot are concerned. Miéville set up these two cities incredibly well with their different cultures, customs, and even different languages. I had a clear picture in my mind of what was going on at all times.


However, this book was told from a first-person point of view. I normally have no aversion to this style of storytelling at all, but I have never read a first person narrative and felt this distant from the main character and, in fact, ALL the characters. I felt no compassion when characters were shot, killed. I didn’t much care if the point of view character went through any emotional hardships. I just felt so incredibly disconnected from all of them. For this, I took away one star.


Overall, I finished this novel feeling happy that I had read it. Though it was complex and occasionally a bit too confusing, the ending made it worthwhile. I still find myself thinking about it days after finishing, which I think is the mark of a good read. It is definitely worth picking up whether you’re in the mood for fantasy, mystery, political commentary…or perhaps all three.

Saturday, July 10, 2010

SURROGATES



This movie was like cheesecake to me. I loved every bite. And although I will admit to being more than slightly biased when it comes to Breaking Benjamin, the band's contribution to the soundtrack honestly did not factor into my enjoyment of the film. With or without Ben Burnley's awesomeness, this movie rocked.

Unfortunately, SURROGATES was not as well-received as I believe it could have been. Perhaps it was released too closely to the box office phenomenon, AVATAR, as if no other spec fic films were allowed to have any measure of success within a certain radius from James Cameron's epicenter. Or something. And I'm sure part of the blame can also be given to the fact that the movie's source material was an already-established literary work. All it takes is one popular reviewer to say the movie didn't live up to expectations and the nay-saying spreads like a malignant cancer.

Too bad. It is not every day that a sci-fi movie can get me to cry.

In its most basic form, SURROGATES is a classic dystopian tale of human ethics regarding the use of robotics to ease our everyday life. Plug into a surrogate (which is basically a machine version of yourself, but doesn't necessarily have to look like you in any way) and you suddenly have no boundaries. You can't get hurt, you can't die, you can do no wrong.

On the downside, you don't really know who you're looking at--who's behind the surrogate. This point is brought out early on in the story, when the surrogate host (the person controlling the machine) of a young "female" club hopper is found to be an obese middle-aged man. Kinda creepy. I think I actually shuddered at that part because it reminded me that people you know through the internet could really be anyone. Lies are easily told from behind a mask.

Not surprisingly, this creates a rift. The majority of people are okay with using surrogates and in a very short period of time it becomes the norm. Then there are the minority groups who feel it is morally wrong to try to play God with yourself. They live in separate surrogacy-free communities, and for some reason, they look and act like crazy mountain folk. They label themselves the Human Coalition and have a leader egging them on. His catch phrase--"You have been sold a lie"--becomes a key to understanding the plot, which follows the basic structure of a mystery.

It starts with the murder of the son of the man who created surrogates. Conspiracy! But how is he murdered through his surrogate? There are safeties in place that make it impossible... unless you have a nifty weapon that shoots swirly blue light and make the surrogates' heads explode from the inside out and at the same time kills the host.

Ooh. That sucks. What sucks even more is that the very same company who created the surrogates, created said weapon. And so the drama unfolds...

That is the basic concept of the movie. I have to give credit to the writers/filmmakers for not focusing on the idea of surrogacy so much as to make people think it is some groundbreaking new thing. It's not. We've already seen this concept of "plugging in" ten years prior, in THE MATRIX, albeit in a somewhat different form. But the direction they take it in is what makes it different. The plot had me guessing all the way until the end, and none of the twists seemed hokey or unrealistic.

As with any sci-fi story, though, it is the human quality of some of the characters in SURROGATES that got me to love it. The subplot of the main character and his personal life both past and present is what made me cry at the end. The cuts made to this character were deep and not easily healed. As a wife and mother I could relate, but maybe I'm also just a sucker for people who actually have real emotions.

The movie is chock-full of big name actors. James Cromwell, once again, plays the genius scientist behind the world-changing technology (see I, ROBOT and STAR TREK: FIRST CONTACT).Ving Rhames (who was also a delight in MISSION IMPOSSIBLE) plays The Prophet, leader of the Human Coalition. Bruce Willis delivers a performance as only he can (see THE FIFTH ELEMENT) as Tom Greer, the FBI agent assigned to the murder case. And Rosamund Pike amazed me in her role as Maggie, Tom's wife, internally conflicted and outwardly poised. Best for last? Indeed. Radha Mitchell plays Agent Peters, Tom Greer's partner. I first saw her as Carolyn Fry in the sci-fi classic PITCH BLACK (it's a classic to me, anyway) and she's been one of my favorite actresses ever since, even in non-SF movies, such as FINDING NEVERLAND.

SURROGATES gets a full five stars from me. Good story, good tech, good action. If you're anything like me, it will satisfy your inner SF critic.

~Lydia